Tuesday, September 14, 2010

Origami

I had a thought that since I am in Papermaking and I do enjoy 3D, why not combine them for my metamorphosis project. In case you didn't catch on, I am talking about oragami....this is what gave me the idea...
"Metamorphosis 1" was done out of aluminum by artist Lygia Clark
Yes, I know you are thinking this isn't paper or oragami silly. It just made me think of it.


One famous oragami artist goes by the name Michael Lafosse...

Michael G. LaFosse is best known as a paper maker and paper folding artist. He has been practicing the art of Origami for over 40 years, and has been teaching it for over 30 years. Michael is internationally regarded as one of the top origami masters in the world today.












Click on the link below to learn origami from Michael Lafosse



random origami patterns/instructions....
















Metamorphosis Cycles

































Bug Hotel

Mathematically-inspired bug houses designed to promote urban biodiversity



Winning London's recent Beyond The Hive , the "Insect Hotel" is a five-star refuge for bugs living in urban environments. Architecture firm Arup Associates designed individual compartments in a mathematically-derived pattern known as a Voronoi tessellation to house an array of species spanning spiders, beetles and moths.
Recently featured on Good, the competition was commissioned by real estate company British Land and the City of London with the goal of bringing biodiversity to cities and to celebrate the London Festival of Architecture.

Theme Chosen: Metamorphosis

I did a lot of research this morning and have so far condensed my theme to metamorphosis, I think. Still unsure if I just want to talk about the theme in general or get more specific as to what type of metamorphosis. The next step to my theme is to research other artists who deal with it already. "No need to reinvent the wheel," as all the teachers say. To begin I just typed metamorphosis into google images...I got M.C. Escher, whom I love but had totally forgotten he dealt with this topic. Here are some examples of his work that I will use to refer to....














Escher uses positive and negative in his works...hopefully I can bring that idea into my own work.





"Metamorphosis" by Judy Prosser(below)







Her great respect for the aboriginal people, and their spiritual connection to the land, has given Judy a direction which has evolved into a distinctive approach to painting them. Her watercolours often depict figures dancing freely in the Australian landscape, along with brolgas, dingos and other animals.

I just like this artist statement....by VIVI - Vivian Ginsberg Smith  I'm drawn to spherical forms, inspired by plant and animal life. I'm constantly inspired by the connection between nature and humanity. My spherical sculptures recreate the womb, a container for life. Growing up the oldest of five siblings, and mothering my family of eight, with seven grown and one almost out of the nest, nurturing new life and watching it grow is a deeply abiding and profound experience for me, which I express through my art. 
Her piece is titled "Metamorphosis Triptych" in case you were wondering how this relates. 


Here is another great artist, Octavio Ocampo. One can say he dealt with metamorphosis. It is more the trick of the eye sort of detail but very similiar in definition...you have to look at his works carefully to see them morph into something else. 

"I am fascinated by the forces of Good and Evil and the Sun (male) and the Moon (female). I live in Tepoztlan, which is a mountainous region southwest of Mexico City and is considered to be one of the most magical places on earth. Like the Bermuda Triangle, there is a strange and unexplained but extremely powerful, confluence of magnetic forces seemingly concentrated in the Tepozteco Mountain."

















How has art influenced your philosophy in life?
I've had artistic talent since I was a child because I was always surrounded by art. I had the capability of piecing two different elements that would look like one flowing piece and then in detail they were individual pieces. I studied plastic arts in the city of Celaya, Mexico, and then I attended the School of Painting and Sculpture in Bellas Artes, Mexico. Later, I took some courses at the Art Institute of San Francisco, California. I used to paint figurative images that were most realistic in detail and frequently had the effect of double imagery in the same place. At the age of 33, I dedicated full time to paint and decided that my style would be what I call "Metamorphic" because when you look at my painting they transform from one image to another. My philosophy is that we live in various universes that are parallel to each other so I showcase that on my paintings. And since I am a Pisces, I feel like it's natural to me. I love to study the relations of the universe and philosophy.

Monday, September 13, 2010

Fall 2010 Theme

   It is so ridiculous. Teachers for some unknown reason want each student to have their own "theme" for the semester, year, or even all four years. I suppose that they are assuming that all artists are obsessed with a certain topic so this should be easy, to come up with and keep to a theme, that is. Certain people, such as myself, aren't really obsessed with anything in particular. At least not to my own knowledge am I obsessive about anything. I didn't really have a theme last year and my portfolio review committee didn't like that too much either. I am just interested in so many things at certain times in my life. Obsessions for me only last a day or two, usually. Once I have done enough research on the topic to answer the questions I had, I am through with it. So sticking with one topic will be quite a challenge for me. Along with choosing a theme they want concept too. It has to have meaning. I know! They expect way too much. I decided the other day that I would be better off just being a designer instead of an artist. Supposedly the difference between the two is that designers are given their concepts, while artists must come up with their own. Less brain and obsession work for the designers.
   Anyways, I think my theme this semester is going to be 'Bugs'. You are probably thinking to yourself, of all things why that. My answer is why not, of all things. Honestly I just happened to make a grasshopper out of foam while in sculpture class and then a catapillar, so I sorta stuck to the bug theme and made a grasshopper stencil for Papermaking. So why not do my theme on bugs? I don't know a whole lot about them, other than what you learn on your own naturally and what school teaches little ones about butterflies. I do enjoy learning.
  For Papermaking I have to have this blasted theme. I need to somehow incorporate it into patterns to use as stencils. I also have to come up with concept/meaning. Hopefully I can find some ancient tribe that worships insects or something. I have been thinking about using their migration patterns, mating rituals, process of communication between them, and so on for my patterns. Now which bugs in particular should I use? Maybe some species that reminds me of myself? Or reminds me of my friends/family? That should probably be what I figure out first. I'll do some research and get back to you.

Ernesto Neto

I found this artist in a Fiber Arts magazine and he is so awesome. I wanted to do my research project on him but some skanky freshman was looking over my shoulder while I was showing the magazine to Stephanie and she ran off to our teacher, stealing the artist I wanted to report on. I will forever not like this girl. Well...okay not forever...but for a really long time. Now I have no idea who I am gong to report on and the presentation is this Friday!!! No one compares to this individual, at least none that I can find.  Anyways, he is a tad odd but I love his work anyhow. It is all interactive, kid friendly, and fun. Hopefully one day I will have the chance to see his work in person. That would be way cooler than photos, I'm sure.







One of Brazil’s most famous artists, Ernesto Neto creates room-sized environments for the viewer to navigate through and interact with. By using light, stretchable fabrics and organic shapes, filled occasionally with scented spices, Neto’s work allows the viewer to experience the work through all senses, creating a spatial labyrinth for the journey through the passages in the room.